Classic Movie Musicals - DVDs, VHS, Videos
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This lavish set contains film versions of the five major works by Richard Rodgers and Oscar Hammerstein II, who helped define the American musical landscape and rewrite the direction of musical theater. After enjoying extremely successful careers working with others, Rodgers and Hammerstein first teamed up in 1943 for the prairie tale Oklahoma!, with songs including "Oh, What a Beautiful Mornin'" and "People Will Say We're in Love." The subsequent 1955 film starred Gordon MacRae and Shirley Jones, who teamed up again for 1956's Carousel. While that film's dark nature made it less popular than its predecessor, the score ("If I Loved You," "You'll Never Walk Alone") was Rodgers's favorite. The King and I (also 1956) featured stage star Yul Brynner as the King of Siam and Deborah Kerr as schoolteacher Anna Leonowens, who must learn Asian customs even as she tries to instill some of her Western ones. The somewhat bloated version of South Pacific (1958) follows two couples during World War II and features standards such as "Some Enchanted Evening" and "I'm Gonna Wash That Man Right Outta My Hair" from stars Mitzi Gaynor and Rossano Brazzi. The last film, The Sound of Music (1965), proved to be the most popular, with Julie Andrews winning the hearts of seven children and their father with her blissful songs. And if the perhaps saccharine music and plot may test the patience of some, there's no doubt that songs such as "My Favorite Things" and "Climb Ev'ry Mountain" have charmed audiences around the world for decades.
Accompanying the Big 5 in this set is the relatively minor State Fair from 1945 (though it does have "It Might as Well Be Spring" and "It's a Grand Night for Singing"). Some may prefer other entries in the R&H canon such as Flower Drum Song or the television production Cinderella, but those were produced by different studios. Five of these films (all except Sound of Music) were released in 1999 in sumptuous remasterings that allow their scores and locales to truly shine. The remasterings ensure good sound and picture quality throughout this historic collection.
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The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colorful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score.
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Julie Andrews is at her peak of adorability in this enjoyable (and surprisingly sarcastic) spoof of the 1920s. It has every trick: occasional silent-movie intertitles, flapper lingo ("Oh, banana oil"), and a laughable plot about women being sold into white slavery by the scheming manageress (splendid Beatrice Lillie) of a Hotel for Ladies, aided by a cabal of wicked Chinese. (The stereotypes are bearable only if you remember this is a spoof of silent movie melodrama.) Even with able support from Mary Tyler Moore and James Fox, this is Julie's show; she plays to the camera with the collusion of director George Roy Hill, who's clearly smitten with her silly streak. The movie has an annoying tendency to spend time on musical numbers--a Jewish wedding, a vaudeville act--that don't serve the plot. A future Broadway musical would create a new score, except for the delightfully catchy title tune.
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Ted Neeley makes for a wimpy looking Jesus in Norman Jewison's screen adaptation of the Andrew Lloyd Webber-Tim Rice "rock opera," which was a smash on stage in the early '70s. Jewison (Other People's Money) adds some good exterior settings in the desert, but Webber and Rice's dialogue-free story (everything is sung, as in a real opera), with its quasi-profundities about the inner demons of principal figures in the life of Christ, is the real hook. Yvonne Elliman sings the show's best-known song, "I Don't Know How to Love Him."
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The Cole Porter Collection provides an overview of the swellegant songwriter's witty lyrics and well-known melodies through five MGM musicals. The black-and-white Broadway Melody of 1940 features the brilliant dancing of Fred Astaire (in his MGM debut) and Eleanor Powell (in her fourth Broadway Melody picture). By the 1950s, we recognize the splashy colors that would become MGM's distinctive style in four pictures inspired by familiar sources. Kiss Me Kate (1953) is the adaptation of the Broadway musical, starring Howard Keel and Kathryn Grayson as the couple whose offstage feud mirrors their roles in Shakespeare's The Taming of the Shrew. The best of the batch, High Society (1956), stars Bing Crosby, Grace Kelly, and Frank Sinatra in a musical update of The Philadelphia Story, while the 1957 films Les Girls (with Gene Kelly, Kay Kendall, Tania Elg, and Mitzi Gaynor) and Silk Stockings (with Astaire and Cyd Charisse) retell Rashomon and Ninotchka, respectively. Favorite songs in the set include "Begin the Beguine," "I Concentrate on You," "Wunderbar," "So in Love," "Brush Up Your Shakespeare," "Well, Did You Evah?", "You're Sensational," and "All of You." The films boast sharp transfer, making-of segments hosted by legends such as Cyd Charisse and Ann Miller, vintage shorts and cartoons, and Dolby Digital 5.1 sound (except Broadway Melody, which is in satisfactory mono)
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